Articles

The technologies we use to translate information between languages continue to evolve. For example, Google Translator, Toolkit, Skype translate content into over 130 languages. Multilingual Information Search (CLIR) software (such as Google Search) allows users to search information in one language and get results in multiple languages at once. Social media platforms like Facebook provide instant translation of messages, so content that was once limited to a specific audience is now more accessible. While these digital translation tools certainly provide more options and resources for people who want to interact in different languages on the Internet, users can still face challenges. Digital translation software is developed using machine algorithms that primarily measure grammatical and lexical accuracy rather than relying on user experience research. Most modern digital translation tools operate on a translation­as­replacement model. Users enter a word or phrase in one language, select the desired target language, and click Translate. An equivalent word (or a set of equivalent words) in the target language appears on the screen.

The reliance on machine algorithms and the lack of user experience research conducted through digital translation have left large gaps in the capabilities of this software. To improve digital translation tools, we need to understand how users navigate the language on the Internet during their daily activities, as they incorporate cultural knowledge and localized experience into their translations.

The paper deals with the development of bilingual professional terminology in the field of construction, which is important in the era of the development of artificial intelligence and machine translation. What challenges are facing terminologists today?

Despite the momentous advance of digital technologies, the concerns regarding the demise of a translator’s job are a bit premature. There might come a time in some foreseeable future when the digital translation will be indistinguishable from the translation performed by a human but currently, however, this is definitely not the case — too radical is the divide between the two.

Unquestionably, the easier the task at hand, i.e., the more literal and unambiguous the lexical items constituting the original text are, the higher the quality of the digital translation. Will the AI’s scope of references be sufficient for adequate choices to be made within the language pair English — Russian, wherein polysemy poses a very significant challenge? It would be compelling to behold the Google­translated notebooks by Fyodor Dostoyevsky that abound in abbreviations, nonce­words, obsolete words and emphatic structures, or any other text, for that matter, endowed with authorial connotations and concepts, which defy unequivocal interpretation.

It is safe to assume that a translator’s trade will invariably be forced to undergo transformations; that a translator will arguably begin to resemble the famed Blade Runner from the eponymous iconic film by Sir Ridley Scott, that is, they will have to become “more human than human,” ultimately turning into a sort of a blend of Man and Machine. Still, whilst androids and omnipotent AI algorithms have not yet altogether overpowered the world at large, the vocation of a translator qua bearer and repository of creative consciousness and intuition, which the machines are sorely lacking, will remain in high demand. This is precisely what the paper aims to discuss.

In recent years, with the improvement of machine translation technology, more and more people believe that human translation will lose its living space in the future. Various translation software including Netease youdao, Microsoft Bing, Google translation, Iflytek translation and others emerge in an endless stream, involving more and more languages, which not only improves the accuracy of translation but also arouses concerns about the development prospect of human translation among practitioners. Through studying the language environment of the countries along the route in the context of the One Belt and Road initiative, this paper aims to discuss the future of machine translation and human translation, and focuses on the embodiment of human factors in machine translation, then points out that there are no irreconcilable contradictions between machine translation and human translation, but they complement each other, i. e. the correct combination of these two types of translation will ensure reliable AI translation in the future.

The paper discusses key trends in notarized translation given the transformation of the translation profession due to the digitalization of economics and changes in the legal translation industry in the light of the UTR initiative to implement the institution of court (sworn) translators in Russia. The outcomes of the comparative discourse analysis of the notarized and sworn translation are provided given innovations in digital translation, language samples encompassing the translation agencies’ corporate websites. It is concluded that even in the case of successful integration of neural technologies into the translation profession, the agents of the notarial discourse would still be humans — notaries and / or translators possessing digital competencies.

The paper addresses what apparently claims to be termed as digital literary translation. We have conducted an experiment using different engines to render Shakespeare into Russian. Two iconic Hamlet’s monologues in several versions of digital translation including those provided by neural machine translation tools are considered, their competitiveness assessed. The results obtained allow us to argue that the concept of digital literary translation so far merely indicates the sphere of translation; aesthetics and axiology, implied by literary translation involving retention of the aesthetic value and fascination of the original in the digital version, is a matter to be resolved in the future. Time (as artificial intelligence advances) will show whether digital literary translation will gain the status of the term in its “precious ambiguity” or, fortunately (?), remain an oxymoron.

“Intersemiotic transposition” as a type of intersemiotic translation, known since Roman Jacobson’s works, provides the transition from one system of signs to another. Such a transposition, as a rule, is carried out from the verbal to the visual interpretation, which finds its explicit expression in ballet, sculpture, illustrations for literary works, as well as film adaptations, where traditional types of film translation such as dubbing, voice­over translation and subtitling are widely used. Subtitling, with a certain assumption, can be carried out through the use of machine translation and human post­editing. But what about the interpretation “from the visual to the verbal,” which is characteristic, in particular, of works of visual art as culturally and aesthetically significant objects? Will a machine cope with such a type of translation of statics into dynamics? Research into machine translation of sign language gestures has been carried out since 1977. A robotic hand is used to translate words into sign language gestures (the alphabet into the dactyl alphabet) to help people with hearing disabilities to communicate. The situation gets more complicated when one has to describe the dynamics of “moving pictures” for blind and visually impaired viewers during audiovisual translation (typhlo commentary/audio description). Even people who do not have visual limitations may face some difficulties of interpretation in spite of the explicit verbalization of the characters’ body movements in the film. These and other problems are still to be addressed.

In the 21^st year of the 21^st century we can clearly see the effect of digitalization on all walks of our life, knowledge and experience. In such a way, self­learning neural networks capable of performing simultaneous interpreting become a revolutionary development potentially out­competing a human being in the process. Nevertheless, multiple and mostly unsuccessful experiments with artificial intelligence (AI) in simultaneous interpreting have demonstrated that AI cannot replace human intelligence for the time being. What makes it possible, what retention factor is behind it? Such factors are numerous. One of them is attentional control.

Deep learning advancement of machine translation has resulted in significant improvement of translation quality. Machines are now able to solve problems which have traditionally been known as the human translator’s privilege. Nevertheless, the impressive development of technology should not blur understanding of the essence of linguistically mediated communication and the role of translator in this process. The article focuses on the analysis of the complex functional system, which merges the translator and the machine translation software in the integrated unit aimed at the fulfillment of the communicative task. The transformation of the professional translator’s competence is discussed; the significance of the translator’s pragmatic competences is highlighted.

The article discusses the prospects for the development of digital translation, as well as its advantages and disadvantages. An attempt is made to predict the evolution of machine translation using an example of the interaction of artificial intelligence and a French translator’s practical activities. A comparative analysis of student translations from French into Russian with machine translation options is carried out.

An intentional inaccurate translation is understood as a translation in which part of the information is omitted or added based on the principle of equivalence. It is a commonly used strategy in literary translation. Analyzing examples of the use of deliberate inaccurate translation in the translation of Leo Tolstoy’s novel “War and Peace” by the translator Cao Ying into Chinese, this work summarizes the need to apply this strategy in literary translation, the forms of its manifestation and its influence, opening new ways to overcome the difficulties of literary translation. Reasons why translators choose this strategy — ease of perception by readers, increasing the artistic character of the translation and the influence of the social environment. Depending on the way the translator transforms the information contained in the source text, there are three main forms of transmission of intentional translation inaccuracies: uncertainty of information, explanation of information, and substitution of information. The benefits of deliberate inaccurate translation cannot be analyzed from just one point of view, and it cannot be categorized as “good” or “bad”. Instead, this method should be viewed in a holistic and comprehensive manner: its value must be recognized and at the same time the limitations of this technique cannot be denied. Translation itself is a very subjective process, and there are a great many ways to translate. Each translator adheres in his practice to certain translation methods and succeeds in them. It is the various translated texts, with their inherent uniqueness of the style of the translator who created them, that are the reason for the infinite variety of literary translations.

This article is devoted to the study of the psychological portrait of the main character Helen Keller in the play “The Miracle Worker” by William Gibson. One purpose of the article is to study figurative and expressive linguistic means: tropes and figures of speech expressing the category of psychologism in a literary text. Psychologism in a work of art makes it possible to understand the behavior, state, feelings and value orientations of a particular character. The other purpose is to analyze the characteristics of the image of the main character as a means of psychological analysis. The subject of research is the play “Who Worked a Miracle” by William Gibson, on the basis of which we identify the main means of the psychological characterization of a character; the object of research is the work of William Gibson with his understanding and application of the methods of psychologism as a realistic principle of depicting a character in fiction. The article examines the concept of “internal psychologism” of an individual who finds themselves in a very difficult life situation and manages to pull themselves together. Special attention is paid to figurative and expressive linguistic means that convey the inner world of the character. The author of the article points out the ability of the main character to accept all the hardships of life with a smile, as well as the desire for spiritual self-realization and personal growth.

The article considers the emergence and formation of the linguistic and cultural concept “Silk Road,” the most important one in Chinese culture. Based on the analysis of Chinese media texts, four stages of the concept’s development were identified: its emergence in the 1930–40s, its development in the 1950–70s, its symbolic reinterpretation in the era of the “policy of openness,” and its polyphonic sound in the late 20th century. Interestingly enough, this concept penetrated China from the West, but it was deeply rooted in and became a symbol of China, expressing a high appreciation of its civilizational contribution to the Treasury of humanity.

This article is devoted to the study of religious and cult-ritual concepts of the Gothic language. In the course of the research, the processing of historical and linguistic material is carried out, which allows us to analyze the GermanGothic mentality, taking into account, first of all, the specificity of the text of the Gothic Bible. In the study of Germanic and Gothic culture, in particular, a deepening into the lexical and semantic component of the biblical text is carried out. The relationship between the main ethnolinguistic features, the GermanGothic linguistic personality and the linguistic picture of the Gothic vocabulary allows us to look differently at the traditions, life and customs that existed in the Gothic culture. Thus, thanks to the classification and analysis of key religious concepts and value attractors that were part of the hierarchical model of the Gothic tribes’ representation of the essence of the world and the place of man in it, we find a reflection of spiritual and cultural life, recorded by Wulfila in the late 4th — early 5th centuries. In the given concepts, there are accompanying passages from the Holy Scriptures, as well as scenes of everyday life, captured in the form of the author’s comments and in translations of the Gospels of Matthew, John, Luke and Mark. Particular attention is paid to the Gospels of Matthew and Luke, since it is in them that most of the author’s “additions” and comments are contained. Translations of the last Epistles of Paul supplement the information received about the life of the Gothic tribes, since they contain direct evidence of a semiotic space in which the cultural and religious concepts of the Germanic and German-Gothic mentality, intersecting in many sociolinguistic aspects, form a single idea of the Gothic linguo-mental complex.